Diamond Field’s sound is inspired by ‘80s producers like Hugh Padgham (Phill Collins, The Police), Rupert Hine (Howard Jones, The Fixx) and Peter Wolf (Wang Chung, Survivor), whose production techniques mixed traditional instruments with the latest tech of the time. On Diamond Field, electric guitars, bass, and ‘real’ drums are combined with drum machines, sequencers, and synthesizers; vocals are up front and stacks of backing vocals regularly fill out the choruses.
For the songwriting, inspiration comes from many places – from ABBA to Michael Sembello, The Go Go’s to Orchestral Maneuvers In The Dark. Careful attention is given to song arrangements – intros to draw you in, pre-choruses build, choruses soar, solos and middle eights keep you engaged. Hooks are everywhere and stick in your head – this is “ear worm central”! Despite the varied song styles and different vocalists, Diamond Field still feels like a cohesive album – like a compilation of pop hits, but all from one artist.
All the album’s tracks were written before the covid-19 pandemic with final mixing taking place over the course of 2020 and early 2021. By chance, many of the song lyrics deal with hope and positivity, and combined with the album’s catchy music, it makes Diamond Field an ideal soundtrack as find our way forward.