The Diamond Field album is now available on LP from Sofa King Vinyl.
The limited edition LP is pressed on hot pink vinyl, housed in a poly-lined inner sleeve, and comes with a 12”x24” double-sided insert with liner notes and lyrics.
Limited edition CD and cassette also available and can be purchased from Sofa King Vinyl
‘A Kiss Apart’, Diamond Field’s collaboration with Selon Recliner’s Belinda Bradley has been named as one of Electricity Club UK’s top 30 songs of 2021.
Great to be included in this list along with Gary Numan, Duran Duran, Midge Ure, Jorja Chalmers, Actors, Waveshaper, Laura Dre, Mark Reeder, Nation Of Language, Waveshaper and many more…
The Diamond Field album is now available on CD, in addition to cassette and vinyl (currently on pre-order).
The limited edition CD comes in a 6x panel, ultra-glossy cardboard wallet, with 8x page booklet containing lyrics and liner notes. A bonus CD of instrumental versions of the album tracks is also included.
The CD can be purchased from Sofa King Vinyl
The show will also be livestreamed (and Arlene’s do a great livestream production!).
Pre-sale tickets are $10 for both in-person attendance and the livestream.
The show is 21+ with proof of vaccination required for entry.
In late 2019, End Scene went into Brooklyn’s Bunker Studio to lay down tracks for an EP. The 2020 pandemic then sent the band scattering in different directions and put everything in limbo. Over time, End Scene’s Brian Caesar got to work completing the tracks, the first of which ‘The Waiting’ is now complete.
Credits:
Brian Caesar: Guitars, piano, orchestral arrangement, lyrics. percussion, additional drum parts
Priscilla Osredkar: Lyrics, vocals
Suzanne Morello: Live violins
Cristhian Rojas: Live drums
Becca Starr: Additional background vocals
Andrew B. White: Live bass
Mixed by Shuta Shinoda
Mastered by Mike Kalajian at Rogue Planet Mastering
Written and produced by Brian Caesar
Head over to Brian’s Bandcamp and have a listen to the finished song:
End Scene tracking at Bunker Studios, Brooklyn, December 2019 (Photos by Andrew B. White)
I’ve just added to the website a list of album covers that I have worked on over the years. The list is in alphabetical order and I will be adding any new titles that come up. I think mostly everything is on here but there are bound to be some omissions. Currently the count is at over 600 covers and it includes everything from promo releases, singles and EPs to full albums. It also includes any projects I’ve had a hand in, from full design to simply overseeing the production. Only about 1/3 of these titles currently appear on Discogs so I will try to add them up there, when I have time.
Shane’s music is a blend on indie pop with some math rock twists.
Tickets are $10 and the show is 21+ with proof of vaccination required for entry.
Rockwood Music Hall Stage 2 is located at 196 Allen St, New York NY, 10002
Late Slip returned to Arlene's Grocery NYC Wednesday September 18th along with Debórah Bond, The Lady Alice and Pavati.
This was the first Late Slip show in NYC since 2019!
Vocals/Guitar: Chelsea Nenni
Guitar: Doug Austin
Drums: Janet LaBelle
Bass: Andrew B. White
Photos by Ayon Sarker
Featuring 10 new songs and contributions from Cody Carpenter, Chelsea Nenni, Nik Brinkman, Belinda Bradley, Kyle Brauch, Becca Starr, Miriam Clancy, Nina Luna, Matthew J. Ruys. The Saxophone Warrior and Rodger Cunningham.
Check out some of the early reviews:
“Applied with engaging productions and arrangements, the music captures the spirit of the pioneering MTV era and classic Brat Pack movie soundtracks. Like a high tech K-Tel compilation album but from the baton of one conductor, this is perhaps the most cohesive multi-vocalist album since the only long player to date by KLEERUP which combined electro-soul, synthpop, Italo, kosmische and ambient. DIAMOND FIELD has successfully thrown in new wave, synthpop, funk, R ‘n’ B’ and AOR into one escapist pot.” – Chi Ming Lai, the Electricity Club UK 7/30/21
“The result is an eclectic wonder of a record that is masterfully unique and that can stand alone with its own perspective and amalgamation of musical DNA, transcending a plethora of genres. It gives its retro flavor, but without being too affected or too honed in on trends, paying utmost respect to dynamic, nuanced writing afforded by the wide range of Diamond Field’s influences. The complex layers in the composition and the arrangements, along with the distinctive choice of vocalists showcase a seasoned, bold musician and producer with a vision that he can call his own. All we can say is Bravo! This is a record that everyone must listen to and take notes from.” – CZARINA, Absynth.Space
